“I had the pleasure of seeing Yong Suk Yoo's production of Strindberg's “A Dream Play” at CalArts some weeks ago and was amazed by the beauty and daring of his direction. The show was mesmerizing and I speak as one who has also seen Robert Wilson's production of that play.” - Robert Brustein, Critic, Founder of Yale Repertory Theater and American Repertory Theater

“Yong Suk Yoo is visually inventive, with a rich understanding of stage space and an out- standing sense of pace.” - Steven Lavine, Former President of CalArts

“Yong Suk Yoo is one of the most outstanding emerging artists I've encountered. Rigorous, original, and fiercely imaginative, he is poised to make a seminal contribution to the theater.” -Travis Preston, Dean, CalArts School of Theater, Artistic Director, CalArts’ Center for New Performance

“Yong Suk Yoo is a tremendously gifted director who works with great sensitivity while at the same time demanding a great deal of his actors. His keen and truly original directorial eye and use of space is enthralling.” -Marissa Chibas, Acting Faculty, CalArts Theater School; Head of Duende CalArts

“I found Yong to be one of the most dedicated directors I have worked with. He is not only an artist but also a strong leader. He has a firm but gently hand when it comes to both his production team and actors: Yong gives his team a chance to shine.” - Jesse Fryery, Lighting Designer


“Yong spies the beauty in every moment in any situation. Very patient, passionate, and detailed.” - TaiReika Glover, Stage Manager

“It is as if Yong is looking for that one small gesture, expression, or utterance that, though simple and perhaps almost unnoticeable, speaks of an entire world.” - Mark Kanieff, Scenic Designer

“Yong is a poet of the stage. He sees very deeply. He feels very deeply. His connection to a play is spiritual and his examination is tireless... Yong's genius, however--yes, genius--is his ability to connect with his actors. He exposes himself: his fear, his hope, his laughter, his concern, his love. More than any director I've worked with, Yong has the ability to make his actors care. And not about themselves, whether or not they individually shine, but about the play and the playwright and the story. And him as well. He instills devotion to the cause of theater-making.” - Ryan Masson, Actor 

유용석은 1978년생으로 현재 미국 텍사스와 서울을 기반으로 활동하고 있는 연출가이자 연극 교육자이다. 한양대 연극영화학과를 졸업하고, 동대학원에서 연극학 석사학위(MA in Theater) 취득했으며, 미국 캘리포니아 예술대학교(CalArts: California Institute of The Arts)에서 연출 실기석사학위(MFA in Theater Directing) 취득했다. 한양대, 동아방송대, 국민대 등에 출강했으며, 한양대학교 연극영화학과 겸임교수, 대덕대학교 연기뮤지컬과 전임교수를 역임한바 있다. 현재 텍사스주립대학교 연극무용학과 조교수로 재직 중이다. 극단 드림플레이 부대표, 예술창작집단 디렉팅스튜디오의 대표 등을 거쳐 현재 공연집단 우주콜라주의 대표 예술감독으로 활동하고 있으며, 공연예술을 중심으로 전방위적인 창작활동에 힘쓰고 있다.

유용석의 연구/창작 프로젝트와 관련해서, 그의 관심사는 세 갈래로 분류할 수 있다.

첫째, 한국 혹은 아시아 연극 및 공연예술 콘텐츠를 서양 관객에게 소개하기.

둘째, 한국 혹은 세계 설화의 모티프를 재해석한 동시대 연극 혹은 인접 예술 분야 콘텐츠 개발.

셋째, 연극 및 퍼포먼스 예술 분야와 디지털 기술(AR, VR, 인공지능 등)의 결합을 통한 융복합(Interdisciplinary) 예술 프로젝트 연구 및 개발 

Yong Suk Yoo (director) is an international director and theatre educator who focuses on interdisciplinary work and the integration of technology into the performing arts. His experimental work includes multimedia theatre production of When Spring Comes to Hills and Dales, Oedipus the King, immersive theatre productions of A Dream Play and Love and Information, as well as the Korean premiere of Nassim Sloeimanpour’s White Rabbit, Red Rabbit. He has also written his own pieces, such as A Silent Table, which used live broadcasting technology, immersive performance, and four-sided holo-film projection mapping. He is currently assistant professor of directing at Texas State University, and former faculty at Daeduk University and Hanyang University in South Korea.

In terms of research/creative projects, my interests can be categorized into three areas.

First, introducing Korean or Asian theater and performing arts content to Western audiences.

Second, developing content for contemporary theater or related arts that reinterprets motifs from Korean or world folklore.

Third, researching and developing interdisciplinary art projects that combine theater and performance art with digital technologies (AR, VR, AI, etc.). 

In 2002, Yong Suk Yoo co-founded the DREAM PLAY THEATER COMPANY (DPTC) with his fellow director, Jae Yeop Kim.  The company was named after Strindberg’s A Dreamplay, inspired by Swedish Playwright August Strindberg’s theatrical imagination. While serving as an associate representative of DPTC (2002 -2008), Yong Suk wrote and directed a number of new Korean contemporary dramas and participated in various independent and cutting-edge theater festivals in Korea, including Young Director Festival, Seoul Marginal Theater Festival, Seoul Fringe Festival, etc. 

During this time, Yong Suk also worked with the influential Hyehwadong Il Bunji Theater Laboratory (HIBTL) in Daehangno, Seoul, Korea. Working with HIBTL and his fellow directors there, inspired his MA thesis “A Study of Directors’ Group Hyehwadong Il Bunji’s Activity: From 1st Term to 3rd Term (1993-2005),” completed in 2008.  In the same year, he was awarded by the Arts Council of Korea as the Outstanding Emerging Artist in Theater.

While pursuing personal aesthetic values as a director, Yong Suk devised progressive theater in response to public concerns. His plays and productions were instrumental in vitalizing the value of community-based public arts by renovating alternative spaces and launching various independent performances. In 2006, Yong Suk devised an annual independent theater incubating initiative he called ‘Hibernation Project’, which DPTC presented for young theater artists in Seoul. The project was so successful that it still functions as a platform for many young Korean theater directors today.

Yong Suk’s experimental, physical performance piece S.T.A.R., where he wrote and directed, premiered at Seoul Marginal Theater Festival in 2006. Represented to multi-cultural family audiences, S.T.A.R. was lauded for its unique, universal, physical, and theatrical languages. Two years later, his work Minority Sport Story 10th Batter, toured for over a year across the capital city with the support of the Seoul Culture Foundation, playing in public libraries, hospitals, and youth detention centers.

In 2009, Yong Suk founded ART CREATION GROUP DIRECTING STUDIO (ACGDS) with five other young artists in theater, film, playwrighting, and alternative education. He worked as a representative, producer, director and playwright. In the same year, Seoul Culture Foundation has selected ACGDS as one of six resident art companies in Seokyo Art Experiment Center (SAC), which was the first art residency space created by the Seoul City Government. ACGDS was the first and only performance group among those residents in SAC. While staying in SAC from 2009 to 2010, he created various public site-specific performances, alternative space performances, and produced documentary films. Yong Suk is currently working as an artistic director of PERFORMANCE GROUP WOULD YOU COLLAGE since July 2016.

Throughout Yong Suk Yoo’s career as a theater artist, he also taught at various institutes and universities. In 2010, Yong Suk was appointed Professor of Directing and Acting in the School of Arts Department of Acting and Musical Theatre at Daeduk University in Daejeon, South Korea. He was the youngest professor in the history of the university and he took the position to build relationships between students and the professional performing arts field in main-stream (Seoul). Also, he used that opportunity to understand different rural performing art programs, where he produced and directed many musical GALA performances and theater pieces with his students for local communities in Daejeon, Dangjin, and Daegu.

Yong Suk’s focus in his art and teaching has led to a mastery of the global contemporary understanding of the arts, performing arts and the ability to engage in interdisciplinary practice, uniting more that one field of knowledge. Yong Suk decided to earn an MFA degree in directing from the California Institute of the Arts as the key to honing his aesthetics and developed his singular poetic, visual style. He directed Oedipus the King as his studio project focusing on facilitating actors’ body and space, using classic Greek tragedy with a diverse cast. He also directed, When Spring Comes to Hills and Dales (American premiere), to create a unique and physical performance with a diverse group of collaborators from other countries using contemporarily adapted Korean folk mythology. In 2015, he finally directed A Dreamplay, as his thesis production at CalArts, after waiting for thirteen years since he co-founded DREAM PLAY THEATER COMPANY in 2002. He co-directed a short film Thinker with Taiwanese video designer Hsuan Kuang Hsieh, integrating material performance (puppetry and toy theater) with video design. He directed a black and white short film Running with a choreographer Jonathan Bryant and created a cinematic poem “Good Bye” using only objects without human actors.

After graduating CalArts MFA program in 2015, he returned to Korea. He worked as an adjunct faculty at Hanyang University Department of Theatre and Film. He taught various courses in directing, interactive design, and theater practicum, etc. He led research and development projects, created new media play-therapy systems supported by Korea Creative Content Agency, and “A Case Study on Hybrid Theatrical Design and Technical Direction.” His interest in the integration between performing arts and high technology has led him to direct/lead various projects. He directed a Korean premiere of Love and Information by Caryl Churchill as an immersive performance of being in cyberspace. In 2016, as an artistic director of contemporary performance group Would You Collage, he facilitated a Korean Premiere of White Rabbit and Red Rabbit, by Iranian writer Nassim Soleimanpour, as an introduction to the unique form of contemporary, post-dramatic performance to the Korean audience. He also wrote and directed A Silent Table, using live broadcasting technology, immersive performance, and four-sided holo-film projection mapping. In 2017-2018, Arts Council of Korea and Korean Performance Producers’ Association fully supported this production and selected/awarded as one of their promising projects.

If Yong Suk’s aesthetic is interdisciplinary, his artistic mission is internationalism. Yong is a strong believer that diversity, the inherent human need to be appreciated and respected for who we are in all our differences, as a core value that every theater company, art school, and organization needs to achieve. To go further global opportunity, he believes that artists themselves must drive new perspectives and links to new avenues of intercultural opportunity, which his own experience has proved.

Yong Suk Yoo is married to Joo Ryoung Kim, a Korean film, TV drama, theater actress of considerable renown, most recently featured as Han Mi-Nyeo(No. 212) in Netflix series Squid Game, whose artistry always inspires him. They have a daughter, Katherine Hayoung Yoo, born in California in 2013.